Wednesday: 3:00-5:30 pm and 6:00 – 8:30pm
Tuesday and Thursday: 12:00 – 1:15 pm
Wednesday: 3:00-5:30 pm and 6:00 – 8:30pm
Wednesday: 3:00-5:30 pm and 6:00 – 8:30pm
Tuesday and Thursday: 12:00 – 1:15 pm
Saturday, July 25, 2020, 1PM
Online Mama Create-Ups #3: The Facts About FMLA: Dulcinea Lara
Register for the event here.
We are pleased to invite the full global online community to our third online Mama Create-Ups series focused on the Family and Medical Leave Act (FMLA) with Dr. Dulcinea Lara, an associate professor in the Criminal Justice department and Director of the Borderlands & Ethnic Studies program at New Mexico State University. Part lecture, part discussion and collaborative project, Dr. Lara will give a basic overview of FMLA through the lenses of legality and personhood. Throughout the talk Dr. Lara will further explore the formulation and evolution of the FMLA laws and explore motherhood from the vantage point of scarcity vs. abundance. Dr. Lara will also lead a discussion on the power of creative-making as a platform for optimism, compassion and love and will end the Create-up with an invitation to create a community “We Are Poem”.
Dr. Lara identifies as Chicana Indigena, honoring her Apache and Rarámuri ancestry that is deeply-rooted in the region now called southern New Mexico. Dr. Lara earned a Ph.D. in Comparative Ethnic Studies from University of California-Berkeley (2006). Her teaching and research center the critical viewing and questioning of systems and knowledges that are designed and operationalized to advance some people/groups while creating obstructions for other people/groups. Dr. Lara’s scholarship is multi-method and multi-media. She collaborated in the creation of an interactive, bilingual museum exhibition about social justice and inequalities in the Borderlands region called, Trotando Pasos Ajenos (2017). She co-authored the article, “Mirrored Repressions: Students and Inmates in a Colonial Landscape” (Critical Education, 2018). Her current book project details the story of teachers, Nadine and Patsy Cordova, in their reasonable-radical commitment to a social justice-centered education in Vaughn, New Mexico, in the late 1990s. Dr. Lara’s work explores various kinds of residual evidence of colonization in colonias, poor and rural communities, and other “sacrificial zones.” Her generative work aims to restore these zones into sacred places through collective dreaming, healing, and making.
*Babies and small children welcome with their parents at all events (including lectures)!
Juried by: Michelle Lanteri
April 4-April 11, 2017
NMSU Music Center (1075 N. Horseshoe Las Cruces, NM 88003)
Complementing the “Java Love” musical and live poetry performances, this juried art exhibition features work by eight NMSU Department of Art students. Art and design of any media and style were welcomed for this show, with a wide range of content from the abstract, to the sincere, to the satirical.
Exhibiting artists include: Jenny Abeyta, Fahimeh Foudazi, Olivia Lemmons, Rubi Madrid, Raquel Madrigal, Nicholas Ostella, Melissa Michelle Perez, and Mariah Shelby.
Tuesday April 4, 2017, 6:30-7:30 pm (NMSU Music Center)
Also, free coffee and treats available during the reception as part of the “Java Love” evening, a collaboration between the NMSU Departments of Music, English, and Art and the brainchild of Dr. Lon Chaffin, Department of Music faculty member.
August 31-September 30, 2017
Erika Lynne Hanson
Jeana Eve Klein
Exhibition Review Committee 2016-17: Julia Barello, Jessika Edgar, Heather Gordon, Madeleine Griffin, Michelle Lanteri, Emily Nachison, Katy Stuckel, Jasmine Woodul
Michelle Lanteri & Jasmine Woodul
Thursday, August 31, 2017. 5:30 – 7:30PM
Erika Lynne Hanson & Mara Lonner, Friday, September 15, 2017. 6PM
Jeana Eve Klein & Sandra Doore, Thursday, September 21, 2017. 6PM
The University Art Gallery (UAG) is proud to present the exhibition, Fugitive Fibers, a group show displaying work by four artists who utilize fiber in their practice to speak about contemporary binaries within the contexts of found and created environments. Commenting on consumerism, Sandra Doore shapes synthetic leather into fragmented objects of beauty and creates plastic “texted” tapestries, both functioning as sites of investigation and critique. Using flags as directional guides and speaking to the contingency between climate change and the anthropocene, Erika Lynne Hanson weaves together an ecology of relationships specific to Southwest landscapes, as represented by an object, video, and performance-based installation. Through the conflicted juxtaposition of aging sites of domesticity and fresh commodities, Jeana Eve Klein re-imagines abandoned homes as locations of celebration, growth, and abundance, quilting scenes of narrative objects, of which viewers are the revolving inhabitants. Mara Lonner’s velvet tapestries elegantly confront existential crises in the natural world, while the fugitive fibers released during her burnout process are rearranged into drawings, consequential in their own right, with new life breathed into form. In this exhibition, place is a moving target, shifting and morphing before our eyes. The works on view invite a contemplation of the creation that arises from destruction and the temporary solace that blurs our vision.
This group show was juried by the UAG Exhibition Review Board from more than 80 international applicants who applied for an open call made by the UAG for exhibition proposals. The jurors included Julia Barello, Jessika Edgar, Heather Gordon, Michelle Lanteri, Emily Nachison, Katy Stuckel, and Jasmine Woodul.
Sandra Doore’s work hovers between the representation of sound and action, visualizing her ongoing exploration into the new language of texting through stitched sculptures, installations, drawings and mixed-media. Doore was born in Switzerland and currently resided in Canada. She received her MFA from San Diego State University in 2007 and her BFA from the University of Victoria, in British Columbia.
Erika Lynne Hanson creates weavings, videos, and installations that connect diverse materials, histories, and places. Hanson received her MFA from California College of the Arts, and holds a BFA in Fiber from The Kansas City Art Institute. Her work has been exhibited in various locations including Los Angeles, Kansas City, San Francisco, New York, and Houston. Hanson is currently Assistant Professor of Fibers/Socially Engaged Practices at Arizona State University.
Jeana Eve Klein’s recent studio practice has coalesced around the broad theme of value, specifically how society assigns value to objects. These ideas are made tangible through large mixed media quilts and tiny obsessive embroideries. Klein earned an undergraduate degree from North Carolina State University and MFA from Arizona State University. Her work has been exhibited internationally, including recent solo exhibitions at William King Museum (Abingdon, VA), Jasper Arts Center (Jasper, IN), Rehoboth Art League (Rehoboth, DE), College of Lake County (Grayslake, IL), and Cary Arts Center (Cary, NC).
Mara Lonner recently moved from Los Angeles, CA to Santa Fe, NM. She received her BFA And MFA from The California Institute For The Arts. She works with a variety of mediums and genres to blur the conventional distinction between organic and geometric worlds. Lonner recent exhibitions include: Jancar Gallery, Los Angeles, CA; Cue Art Foundation, New York; LAXART, Los Angeles, CA.
Join us for the opening reception of Fugitive Fibers Thursday, August 31, 2017, 5:30 – 7:30PM in the UAG. As associated programing, exhibiting artists Erika Lynne Hanson & Mara Lonner will present an artist lecture on Friday, September 15 at 6 p.m, and Jeana Eve Klein & Sandra Doore will present a skype lecture on Thursday, September 21 at 6 p.m. Both events are in the UAG and are free and open to the public.
Fugitive Fibers will be on exhibit from Thursday, August 31, 2017 – Saturday, September 30, 2017.
Searching Through Time, 1990
Oil on Canvas
30″ X 40″
Diane Marsh received a B.F.A in 1976 from Daemen College in Buffalo, NY and an M.F.A. in 1978 at Buffalo State, The Sate University of New York. She moved to New York city after graduation and lived in NYC until the mid 1980’s. She later received many artists’ grants, including the Roswell Artist in Residence Grant. Marsh’s paintings feature hyper-realistic portraits that display the human condition. On her website she states, “My paintings from the late 1980’s through the 1990’s portray the process of human transformation, and the idea that facing life’s sorrow and loss is one doorway we must all go through in order to grow “ (Marsh, 2016).
The painting Searching Through Time is a significant piece in the UAG’s permanent collection that exemplifies concepts behind the inner human soul and the personal issues that we face on a daily basis. In Searching Through Time Marsh illuminated the human condition, and using the emotions within the woman’s face she reveals the woman’s contemplative state; or rather, is reminiscing about another time in her life. Through this realistic expressionistic style, her attention to detail and emotional connection, Marsh is able to draw the viewer in to this work.
Marsh, Diane. “Diane Marsh.” Artist Statement. N.p., 2016. Web. 16 June 2016. <http://dianemarshstudio.com/statement>.
June 14, 2016:
Muhammad Ali, 1977
Polaroid™ Polacolor Type 108
4 1/4 x 3 3/8 in. (10.8 x 8.6 cm.)
NMSU Art Collection, Las Cruces, NM; Contribution The Andy Warhol Foundation for the Visual Arts, Inc.
We would like to start off our Summer Collection Highlight Series by paying tribute to Muhammad Ali. Ali, known as “The Greatest” boxer of all time, passed away June 3, 2016. Ali was not only a boxer, he was also a tremendous philanthropist, an advocate for social change, a outspoken figurehead for issues of race, religion and politics, and a “Messenger for Peace”. Andy Warhol met Muhammad Ali, in 1977, when he photographed Ali as part of his ‘Athletes’ series. “The project was initiated by the art collector and sports enthusiast, Richard Weisman, and featured the likes of the footballer, Pelé, and golfer, Jack Nicklaus.” As a part of the process for the signature pop-color style silkscreen prints, Warhol took Polaroids photographs of each of the athletes, which were ultimately integrated into the final works.
Muhammad Ali, 1977, was acquired into the NMSU Art Collection as part of a large grant from the Andy Warhol Foundation to the University Art Gallery. This grant consisted of over 20 Polaroid’s, five original prints, and seven high quality silk screen prints created by famed American artist Andy Warhol between 1968 and the mid-1980s.
Tara and David Gladden create a site-specific audiovisual performance
SIGHTsite|HEARhere #1: Las Cruces, NM, Ode to the West
University Art Gallery, 6pm
SIGHTsite|HEARhere is a serial project of immersive, audio/visual performances that combine audio/video field recordings of historically and culturally relevant locations with original music compositions and large scale, real-time video projections. Performances are created out of material collected by the artists at regional sites familiar to the audience, establishing a connection between the insiderviewer/native and outsider artist/visitor. Digital, real-time transformation of familiar material in the live performance setting creates a new perspective in which a now “shared familiar” becomes unfamiliar through processes that mediatize, re-contextualize, ultimately re-vision original material and expectations. In this way, insider and outsider are united in a shared field of new experience. The result is a poetic, cinematic journey, a reflection on the nature of relationship, perception, time, place, and memory.
SIGHTsite|HEARhere #1: Ode to the West, Las Cruces, New Mexico, 2015
Special Project in support of the exhibition, Re-Visioning the West
For this inaugural performance of SIGHTsite|HEARhere, we travel to New Mexico State University in Las Cruces, where we will visit White Sands, Carlsbad Caverns, Organ Mountains and the Gila Cliff Dwellings. While in these places, we will hike the great trails and explore the beauty, mystery, and wonder of the West. We will document our adventures and encounters in each place. At the end of each adventure we will upload and catalog the visual and sonic material collected. At the end of this process, we will construct an audiovisual performance for the Las Cruces community using the collected materials.
The artistic work of C. Tara and David Gladden includes audiovisual performance, installation, sound art, recording, animation and public art projects. Explorations are interdisciplinary and multi-dimensional often combining opposing elements and concepts in contexts that vary from project to project. Our work sometimes includes additional collaborators and we have completed many projects under the alias Near East Family. We are concerned with the incongruity between perception and reality and processes that lead to artistic, personal and collective metamorphoses. Both C. Tara and David hold MFAs from Brooklyn College in Performance and Interactive Media Arts, a program devoted to interdisciplinary collaboration, integrating technology into the creative process. David is a video/integrated media artist, musician/composer, writer and an Assistant Professor of New Media at Salisbury University. Tara is a vocalist, composer/performer, sound/integrated media artist and yoga instructor. She is currently Galleries Manager at Salisbury University and a Lecturer teaching courses in Social Practice Art, Music Technology and Voice.
Their work has been presented in festivals and venues around the country including the the International Electro-acoustic Music Festival, NYC, Performance MIX Festival, NYC, Lumen Festival of Video, Sound and Performance Art, NYC, distENDed Cinema Series, NYC, Rehoboth Beach Film Festival, Delaware, The Living Theatre, NYC, the Northwest Film Forum, Seattle, WA, Baltimore Contemporary Museum, Oi Futuro Museum, Rio de Janiero, Dixon Place, NYC, Grace Exhibition Space, NYC, Judson Memorial Church, NYC, Artists Outpost Resources, NYC, The Mission for Temporal Arts, Ashville NC, and The United Nations.
Dana Younger focuses his artwork on the cost of Western expansion–what is sacrificed in the pursuit of Manifest Destiny? He juxtaposes established Western conventions with historical figures to spotlight the damage associated with westward expansion. His sculptural processes of traditional bas-relief computer aided machining, and toy manufacturing all contribute to the dialogue.
Younger will be featured in the UAG’s summer exhibition “Re:Visioning the West,” opening May 21st.