MARGIE AND BOBBY RANKIN RETABLO GALLERY:
Saint Joseph & The Laborers
This exhibition will be open by appointment beginning Saturday, February 20, 2020.
The University Art Museum (UAM) is excited to present Saint Joseph & The Laborers, the second exhibition in the newly created Margie and Bobby Rankin Retablo Gallery at the UAM. In Saint Joseph & The Laborers, the role of the laborer will be looked at through the lens of Mexican retablo imagery. Through acts of labor, humans fulfill the command found in Genesis to care for the earth, and the direction to be productive in their labors. Saint Joseph (San José), the foster-father of Jesus, was a carpenter in Nazareth, serving as a key example of the holiness of human labor. Before Spain had accepted Saint Joseph as a devotional saint, Mexico had already been the “chosen land of Saint Joseph” for several decades, his image disseminated in the common art of retablo painting. Saints such as the Archangels: Saint Michael and Saint Raphael (San Miguel y San Rafael), Saint Isidore (San Isidro), and Saint Vincent Ferrer (San Vicente Ferrer) are other key patrons of laborers in the Mexican Catholic faith, their imagery widespread across Mexican retablos displayed in this exhibition. In this exhibition, the UAM will display for the first time a Mexican bulto (statue), as well as other retablo paintings from the recent donation to the UAM Permanent Art Collection by leading retablo expert Gloria Fraser Giffords.
“Saint Joseph & The Laborers,” will be on display through Aug. 2021 and is curated by Courtney Uldrich, MA Candidate, 2021 as part of the course ART 597
Labor: Motherhood & Art in 2020
On view: February 28 – December 6, 2020
Opening reception: Friday, February 28, 2020, 6:30 PM
Labor: Motherhood & Art in 2020, the inaugural exhibition in the new University Art Museum (UAM) at New Mexico State University (NMSU), opened on February 28, 2020 and is now extended through December 6, 2020. This exhibition, co-curated by museum director Marisa Sage and artist Laurel Nakadate, aims to expand and enrich the compelling conversations regarding motherhood in today’s socio-political climate. Through video, painting, installation, sculpture, film and photographic works, a diverse group of artists explore themes of empowerment, empathy, intimacy, selflessness, vulnerability, failure, anxiety, and choice. While the University Art Museum is temporarily closed, please take this opportunity to view all four video walk-throughs and installation galleries to fully explore the theme of Motherhood in each of the new spaces: the Main Contemporary Gallery, the Bunny Conlon Modern and Contemporary Art Gallery, the Margie and Bobby Rankin Retablo Gallery and the Mullennix Bridge Gallery.
Labor: Motherhood & Art in 2020 features the work of artists Tracey Baran, María Berrío, Patty Chang, Lenka Clayton, Amy Cutler, Joey Fauerso, Tierney Gearon, Kate Gilmore, Jessica Jackson Hutchins, Las Hermanas Iglesias, Mary Kelly, Justine Kurland, Marilyn Minter, Laurel Nakadate, Hương Ngô & Hồng- Ân Trương, Yoko Ono, Catherine Opie, Laurie Simmons, Wendy Red Star, and Mickalene Thomas.
Many of the artists in Labor openly address the choice of becoming mothers, initiating crucial conversations in the arts regarding childlessness and the invisibility of parenting, and reproductive choice, while looking to their own mothers’ lives for insight into the mercurial experience of mothering. Many of the works reframe motherhood within the context of artistic practice, using it as a source of inspiration, creation and collaboration. Other works speak to motherhood as a political act which seeks institutional support in sparking diversity, equality in compensation and recognition.
This exhibition strives to create a space of inclusivity and support that offers opportunities not only for internationally-celebrated artists, but also for the regional community, through local programming and the exhibition of work by New Mexico-based artists that speak to their own experiences surrounding motherhood.
INSTALLATION OF LABOR MOTHERHOOD & ART IN 2020- MAIN CONTEMPORARY GALLERY
INSTALLATION OF LABOR MOTHERHOOD & ART IN 2020- Bunny Conlon Modern and Contemporary Art Gallery
In the Bunny Conlon Modern and Contemporary Art Gallery we aim to navigate the theme of Motherhood through the lens of the NMSU Permanent Art Collection. Like numerous museums globally, whether purposeful or unintended, our collection presents a relatively heavy male perspective of motherhood. When curating this selection, special care was given to highlight the rare examples of the maternal experience by leading feminist, queer, and diverse artists present within the collection. These works display a nuanced art historical vision of motherhood, and throughout this space, an intergenerational discussion of artistic practice and research is presented as it relates to the visions of motherhood and parenting in the 20th and 21st centuries. These works explore complicated representations of family, identity, reproductive choice and gender through the experiences of women and men that take on the concepts of patriarchal and matriarchal identities through the use of various mediums. In 2016 a new collecting mission was established to transition the UAM’s focus onto collecting significant works by leading female, LGBTQ and other underrepresented artists to more accurately reflect diverse cultural and social communities. We, in the University Art Museum, intend for this first exhibition to be another step towards diversification and equality within our exhibitions and collections going forward into the future at NMSU.
Artist in this gallery include: Ann Fessler, Carolyn DeMeritt, Graciela Iturbide, Hollis Sigler, Jim Goldberg, Joyce Kozloff, Judy Chicago, Julia Barello, Larry Sultan, Manuel Carrillo, Robert D’Alessandro, Roderick Mead, Russell Banks, and Shelby Lee Adams.
This gallery was curated by Courtney Uldrich, MA Candidate, 2021 as part of the course ART 597: Curating from the Collection.
INSTALLATION OF LABOR MOTHERHOOD & ART IN 2020- Margie and Bobby Rankin Retablo Gallery
The NMSU Permanent Art Collection has the largest holdings of Mexican retablos in the United States. In the Margie and Bobby Rankin Retablo Gallery we view motherhood by telling the story of The Virgin Mary who has represented the role of the traditional mother in the visual arts, literature and music of the Christian and Islamic worlds for thousands of years. In this gallery featuring the NMSU retablo collection, we explore Mary’s role as mother of Christ in a timeline format from Immaculate Conception to the moment her son died on the cross and she became Our Lady of Sorrows and subsequently, humanity’s ultimate mother. Mary’s life as seen in these paintings on tin, is a model to so many mothers in this world who simultaneously rejoice at the moment of conception and grieve for the suffering their children will go through in life. This chronology, including the multiple traits of Mary as seen in both the retablo santos (painting of saints) and ex-votos (paintings commissioned as prayers during moments of hardship), presents an intimate look at an iconic figure who provides relief and guidance to mothers around the world.
This gallery was co-curated by Courtney Uldrich and Silvia Marinas-Feliner
INSTALLATION OF LABOR: MOTHERHOOD & ART IN 2020- Mullennix Bridge Gallery
During the course of the exhibition, the University Art Museum at New Mexico State University further explored motherhood through the lens of our students at NMSU and the regional community of Southern New Mexico in the Mullennix Bridge Gallery. As part of the exhibition Labor: Motherhood & Art in 2020, NMSU Department of Art Master of Fine Arts students and artist-mothers Katrina Chandler and Maggie Day applied to and took part in Lenka Clayton’s An Artist Residency in Motherhood – a self-directed, open-source, artist residency that empowers and inspires artists who are also mothers. From August 2019 – January 2020, Chandler and Day were given four hours per week to create their artist statements, bios, studio practice structure and artworks all exhibited here in this gallery and created in their new studios within Devasthali Hall. As part of their residency, the University Art Museum provided two-hour classes for their children once a week to create artwork while their mothers were given time and space to work in their studios. The artworks exhibited here represent what happens when we create a support structure for mothers on the campus of NMSU and when motherhood is offered as a rich concept to explore within academia, rather than an obstacle to overcome. Also within this gallery we view “Let Them Bloom”, a papel picado series coordinated by Bold Futures, formerly Young Women United, and collectively imagined by the women in the Mesilla Valley Art & Organizing cohort and crafted by Las Cruces artist Bryana Valdez.
ALONE/TOGETHER is an online series of performative programs associated with the exhibition Labor: Motherhood & Art in 2020 at the University Art Museum (UAM).
ALONE/TOGETHER is a curated series of prerecorded online programs that took place on Saturdays during the Covid-19 pandemic, created by the UAM in collaboration with artists and programming partners from Labor: Motherhood & Art in 2020 (Labor). The series was fully online, utilizing an array of social media and online apps the global community had become even more familiar with in this new world of social distancing.
Many of these projects developed from existing programs that were slated to take place in the museum exhibition, including live performances, pre-recorded video, and experimental community programs led by artists in our community. Plans continue to evolve as our global situation does, and as we prepare to reopen to the pubic, we welcome you to read all about and watch all the programming that took place by clicking here.
Raphael Benero: 2020 MFA Thesis Exhibition
On view now online
Las Cruces, NM–The University Art Museum (UAM) presents Raphael Benero: 2020 MFA Thesis Exhibition, featuring artwork by MFA candidate Raphael Benero. Benero reflects on the intersections of class, gender, ethnicity and lived experience with hybrid identity through the use of humble materials in sculptures that replicate childhood objects.
Growing up in El Paso, TX, Benero quickly realized that no matter how hard his family worked, keeping up with the Joneses was never in reach. Through observation of other neighborhood kids having lavishly expensive toys while he was left to his own devices, he became aware of unbalanced cultural and class dynamics at a very early age. The goal of Benero’s use of accessible materials, such as cardboard, stucco tape, steel, and plywood is to elevate commonly used household objects to “art status” by making a genuine gesture of authorship that is not implied through mass-produced objects.
FLUXX: 2020 BFA Student Exhibition:
On view now online
Presenting Bachelor of Fine Art Graduating Seniors: Shaunia Grant, Katelyn LaPage, Olivia Lemmons, Alexxis Ortiz and Jose A. Suarez. The five artists forming the spring 2020 BFA cohort at New Mexico State University each engage in research examining their understanding of themselves within a complex world; made all the more convoluted by the incursion of COVID-19 into their practice. United in their clarity and commitment that saw them through the completion and documentation of their work with a minimum of tools and a lack of studio facilities, their accomplishments are, with more reason, laudable given these challenging times. Please click on each name to enter the student sites. —Department Head, Julia M. Barello